“...her piece Longing is avesome...” Emirhan Tuğa, clarinetist and producer official website, 15.03.2019
“...She takes the viewer through styles and genres with artistic surprises.” Dick Roodenburg – programmer
Cultuurcentrum VU Amsterdam, March 2006
“...There were non-western presences in Cosmophobia, by Meliha Doğuduyal, painful cries on clarinet set against clusters on the organ...” Michael Dervan -12.07.2005, The Irish Times “...The progressive tonalities of Meliha Doğuduyal...” Norbert Hornig - music journalist & violinist December 2005, Fono Forum
“Bonheur musical: Mme Meliha Doğuduyal... Pleine de finesse et de force tour à tour, son interprétation –principalement de ses propres oeuvres- donne une grande intensité à lemotion que, sans peine, elle parvient a transmettre à son auditoire.” A.B. - Janvier 2004, Bruxelles Bulletin, No 411 “The result was a successful synthesis of the piece Vacuum by Meliha Doğuduyal...”
Astrid Kordak - NRZ Mülheim, 28.10.2002 “...Her music has brilliant characteristics." Evin İlyasoğlu – music writer, 25.04.2001, Cumhuriyet /TR | | “...Today, I experience the same sense of mystery in all of those later works of Meliha: the feeling of coming from somewhere in the unknown places is still viable.” Prof. İlhan Usmanbaş - contemporary composer the preface of Doğuduyal's book, "from Word to Music", September 2016, Bağlam Yayıncılık, Istanbul
“...It is amazingly clear in her work how open-mind her attitude is.” Theo Loevendie - composer, clarinetist, saxophonist
from the letter ‘To Whom It May Concern’, 1992 Amsterdam 
“...Such a skilled performer.” Rob van Scheers - author & cultural reporter 01.02. 1992 Elsevier /NL “...A cosmopolite.” Doron Nagan - music journalist & editor 19.02.1993, Algemeen Dagblad Kunst /NL “...A beautiful piece with glow, verve and passion ‘baptized’ by De Ereprijs. I have no doubt that Ikaros would -and should- remain a staple of the ensembles' concert repertoire. Tom Ruijfrok - 18.04.1994, Gelders Dagblad (NL) “Darbu Sax; it is a recent piece that represents a very different world and time. Yet there are points of contact with the original Turkish Music.”
Edwin Blankenatijn - 14.04.1996, Program Booklet of the Amsterdam History Museum. |
